A Grease Tin Allegory

Allegorical Christian tales are usually serious parables with little or no genuine humour. This is a story based on the notion of the elect of God, Redemption, heaven, devils, temptation, and hellfire, based upon the simple idea of a pawn shop, and pots and pans. According to Christianity, the elect of God are heaven bound, others have to work for Redemption or are redeemed by faith, and hellfire is that which burns eternally and unendurably, and is for those who`re tempted by devils into evil.

A Grease Tin Allegory

'I want to be a Grease Tin and go to Oven,' insisted the dish that had remained in Old Mother Hubbard's cupboard for at least as long as she could remember.

'Well, first of all you have to be Pur-ified, and made Pur-fect,' said a rather austere-looking coffee-pot, hand on  hip, nose in the air and, trembling like some kind of kitchen utsensil's version of a pointer dog, indicating the lemon-sparkling freshness of a squeezy bottle marked 'Pur' balanced precariously on the rim of the baptismal font or 'sink'  as it was commonly known.

 'How do I get there? the Pur virgin looked askance at its new found - and obviously aristocratic - ally.

 'You have to 'convert' to Go'd and ask to have the gas oven changed for one that works by electricity,' the gravy boat explained gravily.

 'Then I'll be a Grease Tin?' the dish asked eagerly.

 'Not quite.You have to be taken down off the shelf as well.'

 'Oh! I don't want to be left on the shelf for too long, can't I just throw myself out of the cupboard in order to be baptised and cleansed from 'sink'?

 'Of course not, it might be misconstrued as being attempted suicide, a cardinal sin which would - if unsuccessful - leave you tarnished - and, if successful, you would have committed a great crime against Go'd and must spend the rest of eternity at the back of  the potting shed in the garden, forced to rub shoulders with those dreadful  'bent' screws, 'wired' coppers and in 'mates'.

 'Oh, I'd hate that! I'd much rather be a Grease Tin, how can I make it to be so?' wailed the less than sanguine pasty dish.

 'You have to get involved in wooing and winning,' said the coffee-pot out of the corner of its spout, not wanting the rest of the ironmongery to hear its 'hellfire' preaching; there was a primus stove in the corner somewhere that was beginning to harp on angelically about the great heavenly blessings that would be produced, if the tin would only choose the path of Oiliness: 'Only wait patiently and, one day, you'll meet with a great Annoying Tin for you to submit to and, instead of throwing yourself away, throw yourself at, and together you'll go to Oven as Grease Tins,' the coffee-pot did its best not to smirk disdainfully - and failed.

 'How long will all  this take?' the dish, which rather wanted to run away with the spoon actually, wanted to know.

 'First, you have to convert,' ordered the coffee-pot, its arm sternly trembling between hip and shoulder, causing its body to vibrate energetically as if about to explode cholerically in a paroxsm of righteous coffee-ing, 'Ask 'Go'd to forgive you your tin-ness and accept Grease from the bottom of your 'hard'; only then, armed with the Grease of Go'd, will you be able to hold up your head high as a Greased Tin, but first you must 'convert' through 'Wholly Gas' to Electric City in order to dwell forever in the City of the Elect.

 'But isn't Elect Trick City a device of the Satan, the Prince of the Powers of the Air, the Trickster, he who seeks to steel our soles by deception that we may all burn in eternal fire for our tin-ness?'

 'That's why you have to be washed from 'sink' in order that your tin-ness might be cleansed and, converted, wearing Go'd's armour plate-tin, and with Grease as a safeguard, you can pass through Elect Trick City bed-devilled but unscathed.

 'Bed-devilled?'

 Tempted by she-devils, allurers with flaming hair seeking to catch you in their fiery embrace and leave you bereft of Grease, stripped of Go'd's armour plate-tin, your tin - nakedness - visible to all, your blackened sole beyond all redemption from sink.'

 'Couldn't I become a Pawned Again Grease Tin?'

 'If you would be Redeemed from Pawn you must ask for Grease for your tin-ness and be washed  from 'sink'.

 'Oh, I can't be bothered with all that,' said the fallen Grease Tin now cast into sink-fulness.

 For a while everything seemed like Oven; Virgin-tinny was soon lost of course, the Grease Tin devilled almost constantly, and bed-devilled as well, by quilt feelings; the bed-devillers from Chip Pan, with their flaming hair and insatiable Chip Panese appetites, tempting the Grease Tin to lie with them in 'the places that had been prepared for them' on the gas rings in the circles of Fell until, black end sole corrupted beyond all recognition, a  Black Hole appeared through which the Grease of Go'd seeped away, making the Grease Tin aware of its tin-foil state and, no longer bed-devilled by the flame-haired allurers from Chip Pan, left to 'sink' 'n despair.

 'Told you so,' crowed the coffee-pot gloatingly, 'you'll have to convert from the bottom of your hard now - or else!'

 'But there's a Black Hole in my bottom,' lamented the Grease Tin, 'what's the use, sir?'

 'Someone'll be along to take care of your tin in the morning, but first you'll have to ask for Greaseness for your tin.'

'Why?'

'You have been caught tin adulterate; you are no longer a Grease Tin but are in adulterated tin because of your lack of Grease and black end hard sole. Haven't you ever heard of the Tin Commandments?' You've allowed your shelf to become polluted by mixing with non-Greased tins, like the flame-haired bed-devils from Chip Pan, for instance,' said the coffee-pot sternly, the arm on its hip vibrating so intensely it seemed about to whistle and begin blowing its STOP!

 'I'll seek for Greaseness and ask to be Comforted,' agreed the former Grease Tin slyly.

 'First you have to Convert,' the coffee-pot stressed, slowly and carefully so that the foilish tin couldn't possibly misunderstand, 'then you'll be Comforted - as much as you like because, though Pawned Again, you'll have been redeemed from your tin-foil nature; you'll be a Pawn Again Grease Tin ready to try to resist the temptation of the Chip Panese bed-devillers again.

 'Okay,'  leered the tin-foil one with the Black Hole in it's hard sole.

 'Listen when the bell wrings tomorrow,' the coffee-pot managed to grind out before, boiling over, it emitted a high pitched whine, 'and when it comes the tinkerbell will save you from your adulterated tin!'

 The unwholly tin lay in its sinkfulness all night examining the hole in its black end hard sole from which the Grease of Go'd had long since departed, and determined to convert from its tin-ness the very next day.

 'That's a nasty Black Hole you've got there in your hard sole,' Tinkerbell said, observing, 'too much unalloyed devilling, I'll be bound.'

 'Just so,' admitted the tin-foil one, 'I was bed-devilled a great deal by the Chip Panese, but I want the conversion ceremony now so that I can go to Oven and be one 'plated with the armour of Go'd'  who, with the Grease of Go'd, can get Pawned Again and Again and...'

 'Okay,' sighed the tinkerbell, 'I'll do the conversion for you, but you've lost your virgin-tinny forever, and you'll never be able to go to Oven because, although I can cleanse your tin-ness using this bottle of Oily Spirit, I can't do anything about the hole in your hard sole and you'll never get back the Grease of Go'd.'

 So the tinker anointed the tin-foil one with the Oily Spirit and washed it from 'sink' so that it shone as wholly with the light of Pur-ity, and he converted St.Ove by Wholly Gas to Electric City; but it wasn't enough, the Pur-if-I'd... tin was 'left on the shelf' on account of its anti-Greased Tin Holeyness, which would always prevent it from passing unscathed through the devillings of the Chip Paneses bed-devillers from Oven.

 Then one fine day the unwanted tin suddenly felt itself lifted from off the shelf.

 'Oh Gody!' it thought, 'I'm to be lifted up into Oven, my tin-ness forgiven, my Virgin-tinny restored, my Holeyness renewed thanks to the Oily Spirit and the Grease of Go'd.'

 'The tin's adulterated with being led,' said the owner of the pawn shop.

 So once more the poor tin was 'left on the shelf' for what seemed a lifetime, but it whiled away the years thinking about its hellzapoppin' days being devilled by the bed-devillers from Chip Pan with their fiery tops and their even more fiery bottoms, but tins not being what they used to be and the memories becoming more and more tarnished 'as ti-ime go-o-o-o-oes by-y-y,' it began to turn to Go'd.

 The process was slow and painful, but a sure one, and one day the familiar voice of Old Mother Hubbard was once more heard echoing about the dusty environs of the pawn shop.

 'Here's the ticket and the pennies. I want my tin.'

 'It's 'left on the shelf' somewhere,' said the pawn shop owner, 'through there at the back, here's a paper bag, put it in there, just hand over the ticket that's on it as you leave, number...' he consulted the stub she'd given him, 'six-hundred-and-sixty-six' and, ushering her on in, didn't even glance up as, beaming happily, what was a very old lady indeed after all these years, slapped #666 on the counter and breezed gaily out into the summery streets.

 'Would you believe it?' she marvelled, lifting the tin out of the paper bag and examining it in front of 'Oven'. 'It's somehow been transmuted into Gold!'

 'Converted to Go'd,' a still rather tinny voice was heard to murmur, 'I wonder if I'd Convert I'd be Comforted,' the coffee-pot  beamed brighter than the little old lady who was rapidly calculating how much Go'd was worth and pushing it into the microwave in order to see what was what, as it were.

 There was a flash and a burst of sparks, then several more flashes and several more bursts of sparks and, moments later, the former tin-foil one was carried reverently from the Elect Trick Computer Oven into the dining room, raised to a lofty position on top of the mahogany cyborg and left to reflect on what it meant to be Converted, or rather Comforted, that is, Computered.

 'Time seemed to be suspended,' the tin Go'd told its old mentor the silver coffee-pot, its coffee-ing days long gone, the job having been taken over by the microwave for ages now, 'but I can remember everything very clearly.There was a lot of Chip Panese devilling and bed-devilling going on for what seemed like an eternity and, just as I was getting bored with it, Old Mother Hubbard 'lifted me up' and 'left me on the shelf' again.'

 After being Pawned you were Pawn Again because, though Converted, you still needed to be Comforted, so you were Computer-read, that is, translated into Heaven to experience the Rapture of a Pawn Again Grease Tin,' declared the coffee-pot smiling silverly in its hoary old age, 'and discovered Time-travel in the process,' it scowled at nothing in particular.

 'I won't have to be Pawn yet again, will I?' the tin Go'd hoped. 'Of course not, you'll have to get married with a big Annoying Tin who'll Compute you into Old Age and'll probably turn up soon enough,' the coffee-pot looked very solid and respectable all of a sudden.

 'How soon will that be?' the tin Go'd wanted to know, getting all interested and a bit flustered.

 'These two will go nicely  together,' said Old Mother Hubbard, placing the Grease Tin Go'd and the Silver coffee-pot side by side on the mantlepiece above the fireplace.

Babylon, Hollywood`s Alien, Perdition And Human Resurrection

Men Are Dominant But Not The Species

The Number Of The Beast Is The Number Of A Manufacturer

 

In the prophetic book of Revelation from the Bible the `mark of the beast` is required in future socio-economic history or one can`t `buy or sell`, so the idea that the `number of the beast is the number of a man` is interpretable in manufacturing terms. The `red dragon` of Revelation is depicted as waiting to devour the `New Redeemer` born from the `woman clothed with the sun and with the moon at her feet` because it represents Communism in which `ownership of the means of production by the workers` was a phallacy because women`s host wombs are the means of production, and `state ownership` and direction of the `means of production` is slavery of women.

 

 

 

 

 In ancient Greece women`s host wombs were enslaved for pederasty and devouring war. By the late 20th century what Revelation describes as the `blood plague` of HIV/AIDS had emerged from pederasty and war as its `biological weapon` keeping women in fear and faithfulness to their enslavers. The paradigm of the 20th century was the virus, and from `Greek` emerged computer `geek` as the parasite wormed its way into the systems of developing human technological advancement. The earliest example was the huge hollow wooden horse left outside the city of Troy by the Greeks who emerged once inside the city to enslave the host wombs of the women and spread war and pederasty further:

 

`Beware Greeks bearing gifts.`1

 

 On 9/11 2001 Al Qaeda terrorists from Arabia hijacked civil airliners and crashed them into the World Trade Centre in New York to reestablish `rough trade`, which is the euphemism used by homosexuals for the `brutality and violence` associated with gay sex, which had produced the `blood plague` of HIV/AIDS in mixing blood, shit and semen in the sterility of anal penile penetrations amongst homosexuals. Because the red sun of the flags of Japan were defeated by the USA after an attack similarly designed to plunge America into a suicidal war, the Japanese Empire`s (1868-1947) sneak attack, in which kamikaze suicide mitsubishi zero `fighter` pilots` planes were crashed into the decks of the carriers of the US Pacific fleet at Pearl harbor, Hawaii, 7 December 1941, was the `red dragon` of devourment.

 

 

 

 

 `Liberty` in New York harbor was the `woman clothed with the sun` of her victory over Japan after the USA used the power of the sun to destroy the cities of Nagasaki and Hiroshima in Japan with atomic bombs to end hostilities. The flags of Al Qaeda bear the symbol of the moon and the legend, `There is no God but God,` but `Liberty` in New York harbor, after the assassination of Al Qaeda`s terrorist leader, Osama Ben Ladan, by US Navy Seal Team Six, on May 2, 2011, reflects upon the sun and the moon in her birth waters. The statue of `Liberty` is `the woman clothed with the sun and with the moon at her feet` of Revelation, and the `red dragon` that had waited in wain to devour her child was enslaving and devouring pederasty and war:

 

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 16. 11)

 

 Al Qaeda were an expression of the viral paradigm of the 20th century, which Jesus had forewarned against at the `Last Supper` with the disciples when he was the `host` and gave `bread and wine` as tokens of his `body and blood` because he wanted to assure himself that Judas Iscariot understood that his act of treachery in selling Jesus to the executioners of the Roman Empire as a dangerous dissident was the act of a parasite against the host.

 Born uncontaminated by male semen, Jesus` birth from the `host` womb of his mother, the Virgin Mary, prefigured the `futanarian` seed of woman`s own penis, which God tells Eve of in the Bible when he says she`ll have `perpetual enmity` with the `serpent`s seed` but `woman`s seed` `will crush the head of the serpent as she leaves` for the `new heaven and Earth` promised to her by God.

 

 

 

 

 What humanity has been taught is that technological advancement will come and that will liberate, but `woman`s seed` is kept at a low level of technology so that she can be enslaved and devoured as a `biune` self-reproductive species, and the taboos against the penis are simply designed to keep the woman in blindness, through censorship to her owning of her own penis and socio-economic valence for her `ownership of the means of production`, which is hers anyway because it`s her host womb and that`s why Jesus` teachings are of respect for the host.

 The mode of the parasite is treachery. Even the HIV/AIDS virus itself pretends to be a white defender cell of the immune system of the body before killing it, which is why women have their own penis` seed and socio-economic self-reproductive system as `futanarian`. In Revelation it is written, `Let he that has wisdom understand. The number of the beast is the number of a man and his number is six hundred three score and six``, that is, 666, which was intepreted by `the Dean of science fiction`, Grand Master, Robert A, Heinlein (1907-88), as `six raised to the power of six raised to the power of six` in his novel The Number Of The Beast (1980) because women reproduce exponentially and men don`t want them to as `woman`s seed` would then have their own brain power and could escape to the planets and stars through technological development. 

 

 

 

 

 In Robert Heinlein`s The Number Of The Beast novel, the biblical `number of the beast` is 10,314,424,798,490,535,546,171,949,056, that is, the initial number of parallel universes accessible through the `continua device`, which is the Ford `aircar` named `Gay Deciever`, because avoiding `gay culture` and the plague aims is the `game play` for `woman`s seed`, to borrow a US football term for success in the game through strategy, if she`s to develop a technology of escape from her parasite; identified in the novel as the `black beast` which pursues the two couples; Jake and Hilda and Zeb and Deety.

 

 

 

 

 It is later theorized by the character Jacob that `the number of the beast` may be merely the instantly accessible universes from a given location, and there is a larger structure that implies an infinite number of universes. Because `666` is the reverse of 999, the telephone number of the emergency services throughout most of the world due to the influence of the British Empire (1583-1997), 9/11 was 911, that is, the number of the emergency services in the United States, because women`s birthing of her own species is the emergency that men don`t want to respond to as she might develop a technology of escape, which is what Robert Heinlein posits in The Number Of The Beast.

 

 

 

 

 Genre conventions about sex and gender in science fiction prevented Robert Heinlein from depicting his couples as `futanarian` women with their own penis `seed` and socio-economic valence for liberation, although that would be more science fictional and sociologically explorative, which is what `scifi` is for. Because Heinlein posits `six raised to the power of six raised to the power of six` as the minimum number of universes accessible to his escape vehicle, `the beast` represents men who want to chase after his wife`s brain power and kill it so she can be enslaved and devoured along with the rest.

 

 

 

 

 The biblical `666` is the reverse of 999 because the police are kept as enforcers of woman`s censorship and blindness, while her medical treatment that could include longevity for memory and youthfulness of body is poor, so that money can be spent on wars ceaselessly prosecuted against the civilization, culture and art `woman`s seed` is able to produce from her `host` womb despite her enslaving devourers` preying on her mind. 9/11 was Hollywood, Babylon, because it was designed to present men, particularly the firemen of New York`s emergency services, who now have one of their own as a statue to rival `Liberty`, as heroic, which blinds `woman`s seed` to her destiny as an independent species unrepresented sexually and publically, or even privately and cinematically, in Hollywood, Babylon.

 Jesus` advice is to pray to God and not to prey on the host womb of the human species, which is what the socio-economic system does. If women are independently viable as a biune species she has an enslaving and devouring parasite and not a partner. With one `futanarian` woman with her own penis` seed, and one woman with a womb, lies the possibility of `woman` seed` exploring her own socio-economic valence for indpendence and liberation from parastism and devourment. But one woman with her own penis` `seed` needs another to fertilize her womb, which means that `biune` species is reproductively `triune`, because one woman without a penis and one with her own penis` `seed` require a third to fertilize the woman with a penis because the woman without can`t fertilze her. So women are a single species and unmarried insofar as they are exponential breeders of their own brain power but not chained to an owner:

 

`Looking back, I could have played it differently. I could have played it some other way; learned about the man: before I fell. I was just a little girl, but I was ever so much younger then; maybe, so much younger then: now at least I know.`3

 

 

 

 

 Some have wondered at the title, Grand Master, for a science fiction writer, but Robert A. Heinlein was awarded the honorofic because it`s used for expert chess exponents. The `chessboard` analogy is often used in mathematics to demonstrate exponentiality. There are sixty four squares which, doubled, is one hundred and twenty eight, and is what occurs if sixty four women are together, because all of the wombs will be filled. After that the numbers increase exponentially, with at least two hundred and fifty six full wombs from an initial pool of women`s semen, that is, `futanarian` women with penis` `seed` of their own. Because men would want to be the fertilizers, they`re the `beast` and the `mark of the beast` is slave branding, where there are `market brands` in terms of `mass production`; like Afro-Caribbean, Asian, Caucasian, etc., whereas women are a single `biune` socio-economic species independent of men:

 

`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 17. 5)

 

 The `blood plague` of Revelation, that is, HIV/AIDS, was sent by God to convert men from their enslaving and devouring of their host, which is what is described in the Bible as `the wages of sin is death`, because `woman`s seed` has been killed so that her parasites can live off her flesh. When Adam and Eve left Paradise as the `biunity` of the human species accepting the `fruit of the tree of the knowledge of good and evil` from the serpent, that is, their enslaver and devourer, God told them they had to work and Eve would have pain in childbirth, while Jesus` teachings were of the work of Redemption, which required men to convert and accept the host womb of women and her own penis` seed as `futanarian`, which Jesus prefigured as the `first of woman`s seed` and so offered hope of Redemption even to the parasites:

 

`Forgive them for they know not what they do.` (Luke: 23. 24)

 

 What men do is occlude so that they can continue pretending that they don`t know what they do, and young boys think themselves forgiveable. The true human picture is of a `biune` species under slavery, which isn`t forgiveable. Unless you live in darkness and ignorance, and that`s murder. Because censorship, particularly of women`s penis, by making the penis generally taboo, especially in Hollywood, Babylon, is blinding. Because occlusion is already the consequence of `woman`s seed` being exterminated by devils who we`re taught to think of as our fathers, and they want to continue secretly killing her.

 In socio-economic terms the division between those who have and those who don`t isn`t a human one, but is based on `consumption` in Capitalism, where `consumption` was the term used by early medical science for dissolution of the body due to cancerous illnesses such as the HIV/AIDS virus, and is pederasty and war`s enslaving and devouring paradigm. The often discussed `collapse of capitalism under its own weight` theory, which was developed from the German Karl Marx`s Das Kapital (1867) that is, the text that formed the basis for Russian Soviet Communism`s (1922-1991) platform of `state ownership of the means of production`, would become a reality if women were perceived as the human species` biune and self-reproductive socio-economic latent independence enslaved by her devourers.

 

 

 

 

 Marx`s Das Kapital observed that the value attributable to product fell when `mass production` was reached, which means that, in terms of `rate of value`,2 because women reproduce exponentially as a `biune` species, men value women less when there are more. So the scarcity of females is a socio-economic aspect of her enslavement and devourment, because the less women there are the more they are valued, which makes scarcity economicaly desirable for the capitalist. The less women there are the more competition there is between males for women, and the system remains deluded in its belief that the scarcity of women is because they can`t breed themselves and haven`t been pogromed until there are few enough for the element of capitalist competition for female slaves to be reintroduced.

 

 

 

 

 Because few people know, or accept, that women have their own penis` `seed` and self-reproductive socio-economic valence, they remain convinced of their redeemed nature as liberals who espouse `free market forces` and socio-economic development through the interplay of `demand and supply` for needed and wanted goods, whereas the human species is enslaved and devoured in pederasty and war masquerading as `healthy competition for females`; one of whom, the `futanarian` woman with her own penis` seed and socio-economic capacity for independence for woman as a `biune` species, has been almost extinguished by men, whose boy sons believe themselves to be human and redeemed, because they`re not cognizant of men`s shame and their role as woman`s poisons. Capitalism must fall, because women with their own penis` `seed` are a biune socio-economic independent species enslaved by her consumers, and God promises her a `new heaven and Earth` when she leaves.

 

 

1 Virgil The Aeneid, Bk II, 19 BC.

 

2  Marx, Karl (ed. Friedrich Engels) `The Conversion Of Surplus Value into Profit and the Rate of Surplus Value into the Rate of Profit` in The Process of Capitalist Production as a Whole, 1894, Part III.

 

3 Paige, Elaine `I Know Him So Well` (1984) from the musical Chess by Bjorn Ulvaeus and Benny Andersson most famous, with Agnetha Faltskog and Anni-Frid Lyngstad, for their membership of the husbands and wives Swedish pop group Abba, 1986.

Biunity

Was Jesus Suicided?

Reading Jesus` Guards

Last Orders For The Burka King

 Many `science fiction` movies made in Hollywood, Babylon, feature extrapolations of the male parasite as an alien invader of the Earth endeavouring to enslave and/or destroy the humans. If women are the human species and she`s `futanarian` with her own penis and `woman`s seed`, `scifi` movies depict her fearful imprisonment and inability to escape before her parasites have devoured her.

 United States` Grand Master of SF, Robert A. Heinlein (1907-88), was much criticized by parents for his juvenile tale, Starship Troopers (1959), because of its depiction of a society in which men were citizens, because they were soldiers fighting the alien menace from the stars, which appeared in the novel as giant arachnids. In full dimensional colour in Starship Troopers (1997), the Hollywood, Babylon, movie version, the unpictured script is of the parasite devouring itself and `a woman`, which is what all history and alien invasion films depict.

 

 

 

 

 Robert Heinlein`s story of his `starship trooper`, Juan Rico, observed that citizenship was dependent on the strength of the nature of whichever devouring parasite was socio-histroically empowered by its need at any given point in time. Parents` concerns would then be translatable into fears that their children would become strong enough to either eat them, metaphorically. or escape. Many of the scenes in the book and film feature `starships` in which the boys` mothers are the `pilots`, who deliver their `babies` onto the `bug planet` where they fight the `spiders`, because Hollywood, Babylon, is `ctzinidae cinema` and, having seen it die before, the `citizens` emerging from the host womb of women`s civilization, culture and art want to have seen it die again. Robert A. Heinlein, the adult, who saw that citizens didn`t want to be parasites, whether arachnid or not, didn`t have to take being labelled as `fascistoid` from an infantilism that doesn`t want its children to develop beyond being eaten.

Women Are Dying Of Someone Else`s Disease And They`re Humans

One Man, One Woman, Or One Species, One Woman